The piece touched me as not only does it speak to my past experience and ongoing journey forward as a musician, but I feel it contains in it, via metaphor, a seed of wisdom on how I, and possibly we all, might approach our lives, as times they change so quickly these days, and the things that once might have given us structure and validation no longer seem quite as relevant. Please enjoy this eloquent (yes, eloquent; it is not a dirty word ) piece that speaks from the heart:
The following is an essay written by John Payne. I came across it rather serendipitously, a chance head-turn to the left, that pointed me towards the box of leaflets containing his writings, outside his school. Funnily enough, this was after a meeting with a colleague during which we both found ourselves often getting caught in exactly the trap John writes about.
The piece touched me as not only does it speak to my past experience and ongoing journey forward as a musician, but I feel it contains in it, via metaphor, a seed of wisdom on how I, and possibly we all, might approach our lives, as times they change so quickly these days, and the things that once might have given us structure and validation no longer seem quite as relevant. Please enjoy this eloquent (yes, eloquent; it is not a dirty word ) piece that speaks from the heart: FEATURING VALERIE LARSEN ("MICHELLE") And then there are those projects you really take your time with…
I guiltfully sat down to do a proper mix on this song, remembering full well that I had intended to post it to the blogstream sometime in late 2011… no, wait, 2011? Something about that doesn’t seem right… Oh, because I had meant to post this song sometime in LATE 2010! Erk! And this rediscovery only when I opened the ProTools file, and saw that it read “Be Right Here DEMO 2010-10-23”. Very embarrassing, though props from me to me for having an organized labeling system In any case, here it is. I opted for a more raw approach than I was going for originally, which I feel allows Val’s natural expressivity to shine through more clearly (So, you see, it was good that I waited so long *snigger*)… more on this below. ![]() Welcome to 2012. Where on earth did January go? The thought that this year might move even quicker than 2011 did fills me with a mild sense of panic. Something for me to keep in mind: how to stay grounded and calm, or else learn to surrender to the roller-coaster that life seems to have become. I have to be honest with you all. I really hate blogging. I’m actually painfully shy when it comes down to it, unless of course you really get to know me better, in which case, I’m only somewhat shy. So this whole culture of sharing every single thing that happens to you is a big challenge for me to even participate in, even on a professional level. I tell myself that if I structure the blog entries down to the word, and plan their releases down to the second, I’ll be able to control or tame my emotional response to creating them. No such luck, I’m afraid. Every entry last year was produced with no small amount of terror. And now, as irony would have it, I find myself going through the same process while creating this blog entry. It feels a bit like that scene from “Throw Mama From the Train”, where Larry (Billy Crystal) just can’t get past “The night was...” – it’s absurd, and also a little frustrating, though in this moment I’ve decided I’m just going to accept that it’s happening. A good first step perhaps. But still I have to ask myself, why do it? What’s the point? Why put yourself through all that pressure of trying to participate in a process that seems so stressful? |
at a glanceAdam Farouk (born April 6, 1978) is a Malaysian musician, producer, writer, and entrepreneur, currently based in the United States. He is known for his integrative approach to the creative arts, and frequently infuses his works with unlikely combinations of style, influence, and genre.
Learn more about Adam's other creative projects at bluedorian.com!
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